stereociti aka ken sumitani presents his second album lost land for mojuba and like its predecessor kawasaki his new oeuvre is some of the finest japanese deepcore you will come across these days! this long player is taking us on a journey into an adventure to stereocitis ever-changing vast sound landscapes, narrating the story of a lost land. each of the ten songs is contributing to paint you a in-depth picture of a forgotten city which vanished from this earth long time ago, exploring even the tiniest details through a remarkable sound design. a album that will find a place at home, in the club and you heart! available as limited edition 3x12inch lp in a hand-printed silkscreen cover.

releasing vinyl needs to be always special. one advantage of releasing in physical format is that you will keep that jewel your whole life. that s what our friend dj w!ld has done: give birth to a house gem.

the 19th release of jeudi showcases deo & z-man, one of the highly respected duos of the german underground club scene. it was a special heart wish for us to have them on board of the jeudi ship as we are in love for their very own and unique sound since a long time.

eight reverb-soaked urban-gothic melancholic songs, between synth-shoegaze and violent ebm, focus on light is a beautiful heartbreaking lp that will resonate strongly with fans of pornography-era the cure, joy division and classic nine inch nails. like the soundtrack to some insane x-files or pre-millennium cyberpunk movie. strange days indeed.

ltd warehouse found! support by josh wink, nick curly, 2000andone, dubfire, matthias tanzmann, raresh, davide squillace, nekes and johnny d... the new jewel from mannheim, ray okpara finally celebrates after his great records on oslo, drumpoet and area remote his debut on cecille records. ray okpara belongs, together with nick curly and johnny d., to the rajo crew. hes an inherent part of the mannheim house scene. what you get is a strong three tracker with soul, heart and energy, a great constellation for showing up rays skills and style. dear friends and music lovers, check your case for the new talent! hope you enjoy...

dj sonikku debuts on distant hawaii with three sparkling, island-hopping balearic house joints from the heart of a deep jungle-smattered paradise. dreamed up from within the internet-scorched mind of tony donson, his dj sonikku alias sees him utilise segas heralded yet mildly-ancient 16-bit megadrive console as a proto-mpc platform from which to assemble his tropical-tinged house sound.
repress on translucent, blue marbled vinyl.

pure techno bliss on resopal. french techno ambassadors vakarm and shekon welcome us with four dark, straighter and more paranoid techno weapons on voices ep . -voices- presents an old school, intense techno vibe with a grinding synth hook, leading us into the heart of the beast. taking the best of techno s oldschool-era drums -- combined with the producers top-class production, it s quite a handful. fragile features a stoic rhythm and sparse sci-fi tricks turning the track into a hypnotic tool. -grel- lays down a pounding bass-end topped with spiraling layers of synth. shekon s rework of -voices- shouldn t fail to set dancefloors on fire. after a massive build-up, tricky percussion combines with sci-fi effects and the synth theme from the original. big prime time techno

the second installment is brought to you by simple symmetry. we can try to explain to you what this xxx002 is all about, but we wont. only thing we will tell you, is that this piece of art has travelled the world. born in the heart of moscow with a pit stop in italy to get the final make over in kiev.

nice sounds in the box!

this may be james hunters fourth album, but it is his first on daptone. produced by daptones own bosco mann (gabriel roth) at penrose recorders (daptone west) near his home in riverside, ca, hold on! is a perfect por trait of an ar tist at the top of his game. james hunter has been on the scene for enough years to acquire plenty of feathers in his cap. billboard charts, grammy nominations, and van morrison collaborations aside, he has earned an international reputation as a rhythm and blues troubadour for his command of the microphone both on stage and in studio. this album, however, is something far deeper than just another notch in his belt. it is truly an ar tists vision come to fruition. the vinyl lp includes a download code.

duckcomb aka patrick billiard is one half of brooklyn s sharegroove. a longtime brooklyn dj and digger, duckcomb drops two edits from the far corners of the disco stratosphere. bonnevie is a hands-in-the-air dancefloorgroover with sexy female vocals, funky bongos, synth melodies, and a heartbreaking keyboard solo. every night hits us right where it hurts with soft rock for hard times written all over it. male lead and female backup vocals, night drive guitar solos, and a drummer with a heart of gold, every night is just begging to be sampled, like kurt hauenstein or jim capaldi hid a secret mega tune in some private press tax scam record, knowing patrick would eventually come along and take care of the rest.

limited edition 30th anniversary reissue on 180 gram vinyl.
includes the hits: a little respect, ship of fools , chains of love.

the return of hugh mane! this time its not a dusted house music dat, but a collection of canny compositions that leave you feeling like you have spent an evening with ashra taking es at ku, you get heart-breakers, slow-motion ravers, melodies of love and lots of drama. dont you dare to say the b-word!

serge born in russia came to the usa in the late 80s, got heavily in hiphop and digging in the crates for breaks and loops as well as production under dj supreme one moniker. he worked with such industrys heavyweights as masta ace, edo g, guru and many more. serge is an avid vinyl collector of soul, funk, jazz, disco, boogie. loads of good music is to come from serge gamesbourg.

rituale is a brand new label for 2016 setting off with a beautiful structured ep called (bury me where i fall) by the talented producer known as g76. this ep is made up with 2 original track s lasting up to a good 16 minuets each. a1 youth riot & b1 four for four. the heart and soul of this ep is represented by the rioting youth struggling for a better future in a society riddled with corruption and selfishness.

for finitude music s 5th release, label owner marcel heese and alexander kowalski aka d_func. share their visions on thought control. both tracks on the ep harbour the same intent, but each of them approaches it in a different way. d_func. s take revolves around sahko-like bleeps, if you are into early mika vainio or sleeparchive, look no further! but instead of being loopy, it s definitely a builder. its original trance track-like structure is sure to rock many an underground dancefloor. marcel s vision is slower and less straight-forward but creates and maintains a high tension. based on dense a bassline and intricate soundscapes, it builds up slowly, only to explode halfway through. an extra payoff also comes at the very end of a track, its noise/ambient outro making a perfect way to wrap up an amazing party at 8am somewhere deep in the heart of berlin.

mind melting techno from xosar on her new new label gyrocyre!!! -when people on our planet hold built up psychic tensions under the skin, the energy gestates in a womb-like growth until it s ready to burst through the flesh manifest as a creature called a gyrocyre. many people opt out of ever letting the beast emerge, happy to function at levels they can predict without having to face the challenge brought on by the gyrocyre. it grows heavy and bloated with untapped potential. those who embrace the change slice through the flesh and let it out. it fuses with the host, covering his or her skin like a mask. depending on the nature of their heart, it gives them tools to save or destroy the world. we invite you to embrace the change and let your gyrocyre out.

its always been tricky predicting what firecracker recordings will release next, though few would have expected an ep of freestyle, darkside drum machine jazz and percussive drone from berceuse heroique, nous and bedouin regular healing force project. sounding like early 23 skidoo replayed on drum machines and samplers, theres much to admire about the hectic rhythms, foreboding textures and dusty samples at the heart of gravitational lensing. its unclassifiable and completely out there, paranoid, dense and intense, with the fizzing drums, mangled horns and metallic percussion hits of random walks just edging out the experimental jungle-jazz madness of apophenia in the top tracks stakes.

the long awaited new release on balance recordings since the successful release of the “brwather album” comes a brand new offering from the duo “25 places” a deep house sound with raw groove . this deep houser has been on the shelf of balance for a year now, while being played by chez damier the last few years. the produce is solid a true to the duos deep house sound. 25 places keeps on putting more effort in representing different sounds that crosses over from the old-school to the modern sounds of today. the due is tayfun sarier and stefan rijsmus the 2tow young producers from amsterdam and london keeps getting the attention from many. this project is a special hand picked project designed for executive producer and label owner chez damier and had been getting underground unreleased play by chez and a few selected world wide dj. in the eyes of chez damier, this is a timeless dj keeper

recorded in 18 different locations with numerous guest musician medulla was bjoerks fifth solo album and perhaps the most daring. re-issue on 180 gram double vinyl, housed in gatefold sleeve with download code included.

after the late nite, neon-red funk of his last release the digital fantasy (which picked up support from the likes of benji b, alexander nut & ross allen), quaid returns with a new ep: cfe. ain contrast to the strung out, hazy eroticism of the digital fantasy, here the heart rate has elevated and the signals pushed further into the red nightlyfe best illustrates this with its rough hats, minor chords and irrepressible rhythm. body forms is a nod back to the hydraulic, locked funk of quaid s previous releases, whilst tango offers huerco s style synths under subverted prince housequake-era drums.a 99percent weaves around a driving bass algorithm and the insistent vocal refrain supplied by longtime collaborator dziko.atheres a change in mood here, the night has passed and sunrise is moments away. lights on tomorrows horizon glint endless glass, dust and chrome.

reissue des debütalbums (1981) der legendären psychedelic-dub-formation african head charge um den jamaikanischen produzenten & percussionisten bonjo iyaginhi noah, dessen damals undefinierbarer sound maßgeblichen einfluss auf experimentelle bass-labels wie hyperdub oder tectonic hatte. mit dem clubfavoriten *stebenis theme* und dem track *far away chant* aus david lynchs *wild at heart* soundtrack. re-cut by dubplates & mastering, berlin, for maximum bass pressure! lp auf schwarzem vinyl mit downloadcard und bedruckten innentaschen mit sleevenotes von steve barker (on the wire).

let present you our next piece of jewelry, the womb ep . neverm!nd appeared for the first time on wirsindeins recordswith a remix of iori wakasa his track take u antarctica and now they are present with their own ep. the womb shadows and mobiers three tracks full of nicely matched percussions, tight baselines and greatful pads. everything your heart desiresand the demands of your mind of course. higuchi, our first family member launched its 2 track ep in 2013 on our label and now he is supporting this huge release with a brute and yet beautiful ...

label head enzo siragusa returns to fuse for his first full ep since 2012 with the sanctuary ep kicking off with double dove, a hyper-kinetic slab of phunked up tech weaponry. the cavernous bass makes for a real warehouse vibe whilst silken pads lap upon the senses for an audio overload. the flipside s solo takes things into deeper realms, a tripped out vocal effect being the track focal point, custom made for early hours sessions whilst the eps vinyl only track gemini does away with any headier pretences and delves straight into the heart of things with a thumping kick and sense of purpose.

long await repress 2016 ...chicago-based producers most fully realized work to date, weaving live orchestration & irresistible synth lines through tough percussive frames. a great leap forward from the sample-clad disco house of her previous records.

japans leading techno artist yonenaga has been so much influenced by detroit techno. he launched his own record label select kashiwa records. derrick may already played his new promo which consists of 3 tracks. a1. room of glass and b1. fairies in the forest are highly recommended. his gorgeous but a bit rueful sound must sticks into your heart!

stronger than pride is the third studio album by sade. originally released in 1988, the follow-up album of their first multi-million albums *diamond life* movlp602 and *promise* movlp797 was another international success. the album including the singles *paradise* and *love is stronger than pride* went multi-platinum in various countries.
pressing on 180 gram audiophile vinyl.

• 180 gram audiophile vinyl
• insert • world clique is the debut album by the dance-music band deee-lite, released in 1990. the albums first single, * groove is in the heart*, was a top-five success on both the u.s. billboard hot 100 and uk singles chart as well as a number-one hit on the u.s. hot dance club play chart.
• three subsequent singles also hit the top ten on the u.s. dance chart, including * power of love/build that bridge* and * good beat*, which also hit number one.

pulsating reconstructions of fragmented piano compositions, melded with gritty peripheral field recordings. transcending from flashbacks, lingering between natural and industrial landscapes. broken left-field electronica by maxim wolzyn for the third marionette issue.

tx connect steps up for lower parts 09! replacing memories is a pounding voyage into the unknown. pulsing acid and urgent fx ring out over drums that bang. not for the faint of heart, these four tracks propel the listener out of the cosmos and beyond.

bleep repeat makes for a potent first track. here, a thumping step gives way to synth lines that sting and swell across solar systems. things get headier, grittier, reaching a furious and frightening rush with spectral soundbites to match. a homage to uk rave sounds, this track perfectly captures the uncanny pairing of aggression and rapture at the heart of 90s bleep. paper blades follows, a celestial soundscape punctuated with hissing breakbeats and a sinewy bassline. rippling acid lines beam along the astral plane, and a hallucinatory, near-liturgical melody meanders all the while. spaced-out yet inexplicably driving, this track is elevating, enveloping

vintage house freaks and soul kids: rhode & brown from munich come back on toy tonics with a great, funk driven, instrumental ep. featuring a remix by upcoming producer hodini. rhode & brown come from the growing young, new house scene of munich. since 3 years the kids host their own night at munichs kong club and doing music. after a few remixes (check the one for brooklyn based label good company records) the boys release their first ep of 2015 on toy tonics. the sound? they proudly call it weißwursthouse produced on a stradivari-build mpc 1000 in their beautiful studio in the heart of munich. influenced by old soul records, detroit legends theo parrish and moodymann, as well as new experimental house from the scandinavian labels around studio barnhus. everything with their own unmistakable rhode & brown touch.

lascelles perkins was one of the first stars of the jamaican music scene. studio one’s leading balladeer and one of the most underrated singers from that time. lascelles perkins sang sentimental ballads and he scored massive local hits for coxsone dodd’s studio one label. songs like “lonely moments” and “together forever” other big hits followed “the mighty organ” song as a duet with hortense ellis, alton ellis’ sister, “destiny” and a whole catalogue of standards or foreign songs as they were called. lascelles could sing any song, make it seem effortless and at the same time address it in his own unique style.

this is the vinyl debut of the spanish electronic darkwave duo synths versus me composed by nico caban&#771,,,,,as and vanessa asbert. an ep of 4 tracks analogically remastered specially for vinyl from their debut album auferstehung. minimal structures, mournful synths, nightmare soundscapes and distorted vocals. including el jardi&#769,,,,,n del ede&#769,,,,,n, rayas blancas, demons and the tempest of my heart. limited to 300 copies with 350 gram sleeve (metallic ink impression) – solid white vinyl

freedom wig ist der name des mittlerweile dritten studioalbums des norwegischen duos ost & kjex. zehn tracks, die wieder einmal perfekt den spagat zwischen indie und underground electronica schaffen und dabei nichts vom typischen ost & kjex-humor vermissen lassen. wie das genau klingt? vom jazzigen intro von honky tonk, über die extrem tanzbare bassline von chachacha, bis zu den tropischen xylophon-klängen in down river und dem fast schon spirituellen summen von easy bietet dieses album ein extravagantes feuerwerk für die ohren. und das spürt man vor allem bei den einzigartigen und energiegeladenen live-shows der skandinavier. schön, dass es noch künstler gibt, die uns daran erinnern, nicht alles zu ernst zu nehmen.

new zealand based crate digger frank booker invites good friend julien dyne to drop the second release on his new imprint down in the basement. jd picks up where the man called booker left off on vol 1 and gets straight up to speed cutting up rare boogie, disco and afro jams and employing his trademark raw cuts in an old school style, while lacing oodles of fx n stuff into the mix. the overall sound is reminiscent of the early idjut boys material, which is so close to mr booker s heart.

when i was 10 years old my father took me to a flea market in a very small city up north in sweden, pitea. there was a little bit of everything being sold there: ski equipment, comics, porcelain figurines and vinyl. it was there and then i came across autobahn by kraftwerk. the thing is, we didn t have a turntable at the house we stayed in, on those cold winter weeks so i had to wait until we came back home to give the record a proper spin. in my mind i played it several times and i thought it was amazing. i imagined it was music from the future. what i thought when i heard it for real? didn t like it at all. the very same feeling i imagined autobahn would sound like is the one i get after listening to ishi vu s debut on omena. these five tracks, you could call it an album if you like, are playful, quirky, dreamy and very addictive. like finding a new friend you know you want to keep for a very long time.

14 classic songs on 2 vinyls 180gr vinyl pressing - audiophile 45 rpm

one track brain is back with his third ep kitten play/dust devil on the otb records imprint. jazz drums and the trustworthy 808 kick-drum are at the heart of this energetic and playful new 12inch

old europe in turmoil. muddy waters and broken bones. two sonic comments on a moral crisis, straight from the heart of belgrade. raum.null, belgrade dubs 02, black vinyl, 180g.

melodymathics chalk up their 5th in the form of a limited edition 10 inch double pack vinyl and boy is it special. a pack featuring detroits own terrence parker alongside label head melodymann and no shit like deep finishing things off. an on point package of four classy house cuts where each one plays its part, add to that a couple of locked grooves and you have a must have record.

croatian ice queen and style icon popsimonova hits hard and relentlessly with brokedown palace, her first solo album and her first release on electronic emergencies. its sound is deep and dark, ebm with a touch of synth wave. the 11 tracks on brokedown palace will lead you through popsimonova s state of mind: fighting, dancing, loving, destroying and rebuilding a strong self. this album is not for the faint at heart!

ian blevins is from england but hes quite the dude. this is his first offering for the esp institute. on side a, meet the happy beast named hannibal, a big room tune that ticks every box your heart may desire bone dry drum production, atmospheric arpeggios, soaring strings and pads, a beautifully sweeping bass progression and an overall sense of euphoria goosebumps guaranteed. on side b, welcome aunt poly cools us down a little bit stripping back the instrumentation, minimizing any superfluous effects, and layering a sparse bassline and droning synths over a laidback 808 all to a relaxed tempo. blevins debut proves that from the right point of view, familiar elements and motifs can take on a new life whilst reminding us just how the rave can feel. these two songs will increase your serotonin levels.

to coincide with the full remix album’s unveiling on cd, the exquisite reworkings of all i think about is death and why you feel so low by techno heavyweights radio slave and function respectively, have been singled out for release on vinyl. the former bears all the hypnotic hallmarks of a radio slave classic: incrementally menacing percussive lines woven with the heart wrenching vocal chants of the original over an epic 12 minutes. at once understated and emphatic, the tenor is deepened in the extreme on an ambient atmos version. berghain resident, function, on the other hand treats claustrophobias flagship why you feel so low with a delicate touch: he retains the buoyant hook of the original, underlying it with a thunderous, reverberating bassline, handclaps for days, and a beat tailor-made for only the biggest and brightest sound systems.

back from a whirlwind tour this summer that included glastonbury, melt & wilderness festivals plus a much-lauded residency at heart in ibiza, performing damian lazarus & the ancient moons eccentric and immersive debut album for the first time, the band unveil their third single, we will return. co-written by ali love, who also features on vocals, we will return is remixed by loves own infinity ink project, serge devant and joeski and veers the moons back to the dancefloor.

the 1964 marvin gaye album back on 180 gram vinyl with download code included.

who said that there is no techno in bavaria? not only the bavarian based label itself as a kind of lighthouse for the more energetic sounds deep in the bavarian heart is a proof, also the young and crazy dirty basscore is emerging from there with his very own, unique, freaked out, crazy, uncomprimising style. compared to his outlets so far this one might not be the craziest and freaked out stuff he did, but for sure this is a massive debut and introduction of his trademark and unlimited talent here on credo. perfectly timed and playable tunes with only one goal: working on the dancefloor! and as this wouldnt be enough we even top it with an excellent repaint by another bavarian techno-stallion. klaudia gawlas, who probably doesn t need any introduction, delivered a superb interpretation of the titletrack.

chris alexander: musician, director and former editor of fangoria presents this, his first album in quite some time, remastered and rejigged for vinyl by us here at gdhq. the soundtrack for your bleak midwinter. dark as space, drugged-out helltracks for paranoid dreamers and night-fantastists. spooktactular art by eric lee, mastered by alek stark. the vinyl lp includes a download code.